(No part of this re/inter/view discussion may be published elsewhere without written permission from victor j. vitanza and the individual posters.) --Full Copyright notice is at the end of each file.
![]() |
The PreText Conversations held a Re/In/View with Jane Gallop, beginning January, 1998. The subject of conversation is/was Jane's Feminist Accused of Sexual Harrassment (Duke UP, 1997). |
Date: Fri, 06 Feb 1998 23:20:13 -0600 (CST) Dr. Gallop: In your book you note that by including consensual relations in sexual harrasment policies universities reflect a society-wide trend to expand the meaning of "sexual harassment" in a way that suggests that "what is undesirable finally is not unwelcome attention but sexuality per se. Rather than some sexuality being harassing because of its unwanted nature, the inference is in and of itself harassment" (32). For me, the book centers itself in and around this trend, around the slippage in meaning that threatens a return to a puritanical sensibility that pits feminist against feminist and puts sexuality itself on trial. While the book notes this change and, in my reading, warns against the dangers inherent in the expansion of the meaning of sexual harassment to include consensual relations, what the book doesn't do (and doesn't necessarily need to do) is to offer an explicit explanation of this trend, leading me to wonder what your thoughts were on this matter. __What's driving the slippage in meaning from the classical definition of sexual harassment to the more expansive sense in which it would include consensual sexual relations? I guess I'm interested in whether you think some people are consciously stretching the meaning of this term, and if so, for what reason(s). If it's largely unconscious (and this may be more interesting), I'd like to know what you think is driving this as well. Thanks for sticking with us, and thanks in advance for any response you may wish to offer. alan taylor
Well, at any rate, such readings show that the reading public wants to cling
to the possibility that you're still "getting it"--and plenty of it. JOhanna
At the likely risk of alienating Jane, I want to ask Dana a question which
Jane didn't (couldn't?) answer to my satisfaction.
This was the original question to Jane:
In other words, Dana, all I could guess, from Jane's description of your
request that she not be allowed to use these incidents in her academic work,
was that in asking for this injunction you were making a claim of this kind:
"You (Jane) should not be able to make theory out of my misery." Am I right?
If so, I (still) think this would be an interesting question to pursue.
Johanna Schmertz (means "PAIN" in German, Jane!)
Jane, this is all very interesting, n'est pas?
We (the list) are a "lynch mob"! And Dear Lizzie agrees. VVell, of course.
As you probably know (for I sent a copy of the subscribers to Gary to fwd
to you), there are over 300 people subscribed to the list. Probably 15-20
(a mixture of males and females) have posted to you. Let me suggest--not
that I would inform you pedagogically--that there are a lot of other
people on the list, many more--in fact, the silent majority of us--who
might very well be inclined to agree with your theses in your book and
agree with "your" estimation of how you have been treated. But if you
constantly undercut your ethos with such statements that this is a lynch
mob as well as making other statements (e.g., "Last nite while perusing a
message from Victor, I ended up yelling at my son who came in to ask if
I'd tuck him in"), you're going to lose them! These epithets and vignettes
(there are many others, but I don't want to catalogue them, for your
"sayings" will come across like a barrage) ... these epithets and
vignettes are transparent. Cheap. And I am sure you can do better ... for
at least yourself. Moreover, when you respond to people, directly or
through other posts, you begin immediately to categorize them into "s/he
loves me" ... "s/he hates me" ... and "Maybe s/he likes me." I mean,
grrrl, you peel the petals of the flower right off the stem, right in
front of us, on the screen!!! These kinds of dividing practices really get
in the way and can only cause you problems here repeatedly, when in fact
if you did not say things so blatantly like this, the silent majority
might keep on loving you, if in fact that is really an issue for them!
If today we were to take a Gallop Poll, You might very well have a high
percentage agreeing with you, but if you continue talking to us in this
manner and encouraging others to do the same, then you are going to lose
big time. And this was never about winning. It has been about asking tough
questions, which every person who has ever been reinvwed has been faced
with. Which every person who has ever taught (male or female) has been
confronted with. So again, it's in your best interest to wrestle with
these questions, not all of them, but the ones you find acceptable. And of
value to you. I would think that the ones that you never thought of and
the ones that you want to call out of bounds are the most valuable for
you. And yet, of course, only you can decide that ... as we watch you
decide.
I really resent the cheap attempt by a poster who is signing off to say
that this is a male-female issue. Many of the posters asking tough
questions are female. The issue of sexual harassment here is one of female
against females, whether or not that has any standing in relation to Title
VII (Civil Rights Act, 1964); whether or not one agrees with MacKinnon, or
whether or not we will agree with the decisions that the Supreme Court will
make about the 4 harassment cases that they have decided to hand down
rulings on.
Here, we are attempting to debate these issues ourselves. And part of the
debate is whether or not your ethos (or ethoi) are believe-able. I opened
with a question on your apparent nostalgia and your apparent naive p/v.
You answered it and I appreciate that, but I did not believe you. It is as
simple as that: You were not believe-able to me. And then I thought that
the real issue here is Who Wrote This Book? and is she believe-able? If
you do not have any ability to empathize with the two students, then there
is a serious problem. And it's not a personal problem but a social
problem! If you have that capability but refuse not to
discuss it but to deflect it under the banner that it has nothing to do
with your book, then you are not believe-able. etc........ Much that you
say about some of us, many of the charges, etc., seem really to be about
yourself. In other words, they seem like a simple projection of sorts. But
about that, What do I know? Nothing! But I do know that you do not sound
believe-able to me. Here, you have been your worst own enemy. I really
believe--let me be naive for a second--that our reception of what you are
saying to some of us would be easily acceptable if you would simply be
honest with yourself and then us. If not, then this is all going to go
down as one of the best and worst of pretext reinvws.
v
ps: Johanna of the Red River, It's true that I am not Slavic, but it is
also true that I am not Italian. I am, on all sides of the family,
Sicilian.
FYI: re the general issue of sexual harrassment policies:
The current issue of _The New Yorker_ (2/9/98) has an article by Jeffrey
Toobin, "The Trouble with Sex: Why the Law of Sexual Harassment Has Never
Worked" (p. 48), that recounts some of the legal history/development of
the laws that underpin university policies. Included in the article is a
narrative about a professor whose outcome was quite different from
Professor Gallop's.
Also, see the front page of _The Wall Street Journal_ (left column) on
2/4/98 under the "Corporate Affairs" heading: "The One Clear Line in
Interoffice Romance Has Become Blurred." The article details some changes
happening in corporate policies about intimate relationships: where they
were formerly forbidden outright, the changes are in the direction of
altering the power relationships--i.e., a manager can have a relationship
with someone at a lower level if the manager transfers out of a
supervisory relationship to that person.
Paul Turpin
At 01:06 AM 2/7/98 -0600, VV said to Jane:
}As you probably know [the whole world is watching, yadda yadda yadda]
Oh, for chrissakes. I haven't read flame bait like this since at least
1994, you know, back "in the day". Where'd you hone your rhetorical skills,
VV, alt.politics? alt feminism? alt.conspiracy?
Keep it up, and you may lose your list to more than just Jane's "epithets
and vignettes". I subscribed because I want to read Jane's responses to us
readers; in fact, those e's and v's add to our understanding of the book
and the dynamics of pedagogy in general (which, silly me, I thought was the
purpose of the bleedin' list.) So if you could kindly dispense with the
Troll-in-Residence schtick...
If I want to read real flame bait, I'll go back to Usenet, thank you.
lbj
lbj - let's buy him a new red pencil. I subscribed for exactly the same
reason, not to read an author who's trying to be loved. Lizzy
VV - received a separate email from a reader of the list who so far has
not responded publicly - thanked me for being "a gift of sanity to the
list".
LBJ, thanks for the reverse reminder and memories. ;-) I'd vote for you
even today. v
Dear Professor Gallop and others
Lizzy,
Seems to me that vv is not bothered by Jane's "candor." Rather her lack
thereof.
Many of us on the list are rhetoricians. Thus, we begin with a concern
for audience. Jane seems not to share this concern, and we find this
troubling.
e
Dear Jane and all,
Without this strutting around of these PC's who certainly could be
either men or women, the rest of us could have gotten further in
rethinking the ways we imagine teaching and writing.
Thanks, Jane, for your remarks about experimental writing. I'd
like to know if you apply some of these ideas to your teaching also, and
if so, how.
Anne B.
Surely Jane's candor is more interesting than the 'lack thereof.' It
has more to do with the subject of her book. Does candor reflect a more
immediate concern for audience? Wouldn't you say that a lack of candor
reflects a greater concern for the potential audience of one's audience?
My question is, can one be candid and 'begin' with a concern for
audience? Jane's narrator shows concern for audience in the kiss on
page 91. Her "sense of an audience totally transformed [her]
conventional gesture." It became, she says, "a loaded performance."
Does that demonstrate a lack of candor?
d
Why are any of use so surprised that BOTH Jane and Victor are posturing,
as is everybody else who sends out a post. This is no big news. It's a
part of being rhetorical and using language.
I was much more interested in a point Jane made earlier in refernce to
reading protocal. This list is made up predominently (I assume) of
people who consider themselves rhetors or at least aspiring rhetors.
We've been trained with reading/writing/speaking protocols that are more
often than not argumentative. One could make the argument that this is
inherently patriarchal, but this is another argument.
What is important is the other point Jane made referring to
reading/love. We are trained this way and we love to discourse this way.
When we read your book searching for its arguments it was the joy of it,
not out of any spite. I wouldn't have wasted the time on it out of
spite.
I can only read Jane's "lynch mob" reference as a joke. And honestly I
thought it was pretty funny. Joke's too, are an important part of
rhetoric.
Voguin'
Byron
I'd like to thank Anne for saying what I've quietly been thinking. I
would like to see hard questions answered, too, but the way some of them
have been asked have reminded me of the way professors ask questions (in
the name of honest dialogue) to students they really dislike and/or are
threatened by. Questions phrased like "What is it with you..." don't
seem to even pretend to want an honest two way dialogue. They seem
argumentative and arrogant. Listservs, in my experience, just seem to
carry this line of questioning on--the thinking seems to be that since
no one can "see" me, I can be as rude, arrogant, and argumentative as I
want to be. Rhetorician or not, I still think there's something to be
said for common courtesy. Especially toward a guest!
Elizabeth
d, i can agree with you about candor but only if you stipulate what your
interests are. When it comes to candor (or condor) and when it comes to
jane's book or projections through various narrators--and many of us use
multiple narrators, whether pathological or not, on posts to lists, ...
when it comes to jane's book, I am concerned, given my interests, with her
lack of candor about the two students. And the issue of PAIN. It is easy
for me to mirror back to Jane her various performances in her book in
relation to her students, making her a student and sending her a perverse
kiss across the wires, crossed though the vvires are. And I am not
surprised that she is Pained. And I am not surprised that all this
exchange is interpreted by some on the lists as talking down to or being
rude to a guest. But the host-guest relationship is historically a very
complex one, though some here would make it simple.
So d, my questions about Jane being honest and direct about the students
and how she 'framed' them or 'cut them out' of the book, made them
speechless, put them in a place where perhaps they cannot reconstitute
themselves, still stands. And if it is not answered here, that's fine; for
it will continue to stand until it gets answered. That which is repressed
always returns. As a case in point, recall Dana's post, a blast from the
past and from far away, yet still so close, Japan. Dana's post can be read
in many different ways, given our various interests.
Jane can take care of herself. And I am sure that Dana can damn well take
care of herself. But I still want to know how Jane *cares* for these two
students.
v
Lizzy,
At the risk of being accused of piling the shinola on, I wanted to
reply to a couple of your comments, and particularly to what has
troubled me about them.
You write that
Preceding this is your example of a teacher leading students through
the "dissection" to which you're referring here. What stuck with me
in Jane's book is the phrase "the buzz of live knowledge" (20), and
its implications, because I find that concept pretty radical. For
me, it links together intellectual and bodily pleasure in a way that
most people don't really think about. (BTW, it also is a nice link
to Elaine Scarry's work, which *is* very appropriate to Jane's work,
erudition aside.)
What troubles me is that argument that I hear you making, about how
what the teacher does in the classroom and what you do "one-on-one"
with the author are two entirely separate activities. I may get
myself into trouble here, but I think that Jane makes the case for
blurring those boundaries, far more than you allow for. What you
describe earlier as poo-bahism (not that there's not plenty of that
as well) may also be excitement, pleasure, love (as I think Byron was
saying). The body is political, as the 60s may have taught some of
us, but to say that the body is also intellectual is something that I
think we have a great deal of trouble with in this country. Although
I'm not convinced that it's necessarily a consistent position
throughout FASH, I like Jane's book for beginning to make that
argument.
My second problem relates back to the first question I asked (thanks
for the reply, Jane!). This is probably going to feel like an
attack, and I'm sorry for that, but it seems to me like your posts
fall pretty clearly under the sign of victimage as Jane outlines it.
You make the leap from one or two people to "lynch mob," you set up
the discussion as girls v. boys, etc. If I read you rightly, you're
asking everyone else on this list to empathise with FASH, and to
share their particular journeys with this book. I don't think that's
an unreasonable request, but I see many people refusing the same
consideration to others' posts. What to some appears a barrage, to
me seemed precisely what you asked for--Victor asked about Rorty
(whose politics of redescription bears directly on the issue of
naming the "crime") and Scarry (whose definition of pain--the voice
separated from the body--bears directly on the students' conditions).
We (and I am nothing if not an academic ;)) may cite others' work as
a way of naming our own personal journeys, but perhaps that is
because we take our joy in joining things together, synthesizing what
we read, and participating in that buzz of live knowledge. At
least, it seems so to me when I do it. One of the things that I
think Jane challenges is the knee-jerk assumption that there is
nothing sexy about knowledge, learning, education.
What I regret is that there are so many professionals whose love for
their work is described as passion and/or excellence, while in those
of us who teach, it is dismissed out of hand as elitism, jargonism,
self-importance, poobahism. And while my comments here may be
construed as a type of revenge, or dissection, or whatever other
vilifications we might imagine, I was simply struck by the fact that
you ask for something of us that you yourself haven't spent a great
deal of time providing, either.
I can understand how the discussion thus far would make you
uncomfortable to do so. But it is interesting to me, in a discussion
where Jane has talked about restoring power and potential to the
dialectic of feminism, that so many of the comments have painted the
discussion into the corner of victimage. And I know that I'm just
fueling the fire of talking about the discussion rather than having
it, so I'll end this, and post another question in a little while...
collin
Jane,
Thanks again for your reply to my first post. What follows here is
the second half of my thoughts, and rather than asking a particular
question, it's probably more along the lines of an invitation to
elaborate.
Earlier, I alluded to the argument that is being made that suggests
that feminists need to escape the dialectic of power/victim. I was
thinking of folk like Susannah Breslin, who has been tapped as
something of a pop-spokesperson for this particular perspective.
Regularly, I see examples (and hear them) of women who disdain the
label of feminist while basically sharing the ideals.
For me, this links up with your book in spots like 19-20, where you
talk about how women's studies is different now than it was when you
were a student. You explain that it is no longer a matter of
discovering books together (19), and while this is one explanation
for what might be described as a generation gap within feminism, I
wonder if you've thought about other possibilities. I don't mean
this as a passive criticism, but rather genuine curiosity.
I'm square in the middle of what's been called Generation X, and I've
had the opportunity to teach/study/write about it a little, and I'm
curious how you perceive the impact of what I might call generational
demographics on feminism. I would never claim that the current
generation is inherently one way or another, but I think that the
ratios between naivete/cynicism/nostalgia are different for those of
us who grew up in the late 70s/early 80s. I think that the media has
a lot to do with it, and your inclusion of that discussion of
Disclosure leads me to think that it plays some role in your thoughts
as well.
You write that your students "still want a feminist education that
feels like women's studies did to me in 1971," but that's tough for
me to believe. I know that there is still a great demand for
feminist education, but I'm not sure that today's students want it
for the same reason, or even could. Regardless of whether or not
they're right in thinking so, I don't think students perceive male
oppression in the same terms that students and teachers did in 1971.
I think that this is a fairly obvious statement, but as I said above,
I'd like to posit it more as an invitation than a critique. I think
that you establish what some of the differences are between the ways
you teach and the ways that your teachers did, and so I'd like to
hear your thoughts about the ways that you perceive your students as
different from how you were back then. Not in any essential way, but
in terms of goals, feminism, etc.
Thanks...
collin
|
(Copyright. 1998. PRE/TEXT. Victor J. Vitanza and the posters to Pretext Re/In/View. All rights reserved. Anyone should feel free, however, to link to this page for educational purposes, but do not publish otherwise in part or whole without prior written consent from copyright holders. You may also establish a link to this or any REINVW discussion.)
To Part 1, Gallop Reinvw
To Part 2, Gallop Reinvw
To Part 3, Gallop Reinvw
To Part 4, Gallop Reinvw.
To Part 5, Gallop Reinvw.
To Part 6, Gallop Reinvw.
To Part 8, Gallop Reinvw.
To REINVW Archives
To PRETEXT HP